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We’re all familiar with the childhood game to avoid cracks in the cement or we’ll break mama’s back. As we get older, however, and wake up to the historical nature of our town’s buildings and yards, it’s not the threat of inadvertent spinal trauma to our guardians that has us scrambling to repair cracks in

Appreciating Our History It is often said that space is the final frontier, as big a mystery as our deepest oceans but infinitely more vast. And yet, what is the one thing that every traveler to space can’t help but do? Turn their eyes to earth and think about their lives. In fact, one might

Truly Timeless Construction The adobe style is a construction technique that is instantly recognizable to anyone who has spent time in the Southwestern United States. Tanned, sun-dried walls; flat roofs; exposed wood framing, such as beams or eaves extending over the roof. All of these characteristics evoke the Mexican Pueblo- or Spanish mission-style of building

If human history tells us anything, from the pharaohs of Egypt to the earliest inhabitants of Mesa Verde in Colorado, it is that we are a people who build. Yes, the potsherds in the sand tell that we were interested in small, beautiful things, but the ancient monuments and cities swallowed by sand and forest

To classify as “historic,” your structure should have at least 50 years of life. Building repair and restoration are important for preserving architectural styles, as well as representing the culture of people and places. Masonry in architecture can include brick, terra cotta, stone, concrete block, cast stone, and the mortar used to bind these materials.

As restorers of historic masonry, we love discussing not only the historicity of ancient building techniques and materials but also how they can be utilized today. As we’ve documented in the past, the history of brick-building is an interesting one, manifesting as a sort of “unintentional cooperation” between different civilizations to make bricks the dominant

For as long as mankind has been interested in creating something monumental, we have been attracted to megalithic superstructures. From the Nazca Lines to Stonehenge, and the Titanic to Mount Rushmore, the aim has been twofold: firstly, to create something that would be regarded as the greatest exhibition of expertise and cooperation of the age;